Edward St Aubyn

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Book or Kindle? There’s no method in the madness

free-vector-person-reading-book-clip-art_110276_Person_Reading_Book_clip_art_hightWhen to Kindle and when not to Kindle, that is still the question. In a touching article in the New York Times recently, Nick Bilton wrote about how, after the death of his mother, he found he was “bound in spirit and print” to her through her love of books. “She spoke passionately about being able to smell the pages of a print book as you read, to feel the edges of a hardcover in your hands,” Bilton wrote. “And that the notes left inside by the previous reader (often my mother) could pause time.” He describes how she gathered a library of more than 3,000 books and scoffed at his embrace of the Kindle.

That was me, not all that long ago. Books were king. However, after a 

Ten best reads of 2012

As seems to be the increasingcustom at this time of year I have listed below my top ten books for 2012. There is no method in the madness and they are not in any particuar order. They are simply the books which I enjoyed reading, would happily return to read them again and, perhaps most important of all, would not hesitate to recommend to my friends. The cut off date for 2012 was Christmas Day. Why is this important? Because over the past few days I have read two outstanding books. But more of them later.

photoGarden of Evening Mists by Tan Twan Eng.

All is not as it seems in this carefully layered garden set in Malaya just before the invasion by the Japanese.  Not for the characters nor the reader. It is poetic and thrilling; a story that continues to haunt you long after the final page is turned.

Bring Up The Bones by Hilary Mantel.

The sequel to the highly successful Wolf Hall, this is a lavish re-take of the ill-fated marriage between Henry VII and Anne Boleyn as seen through the fox-like eyes of Oliver Cromwell.

The Yellow Bird by Kevin Powers

Debut novel from a returned US serviceman attempting to answer the repeated question : What was it like fighting in Iraq? It has been criticised for being over-lyrical (perhaps a result of Powers’ first love,  poetry) but  I have returned to this book a couple of times after first reading it, and it retains its initial impact.

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