Jonathan Cape

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A very long long list for the Baileys Women’s Prize for Fiction

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How many books is too many? I confess there’s more than a little self interest involved in the question.  The long list for the Baileys Women’s Prize for Fiction has just been announced and it’s a whopping 20 books long, albeit from 165 original applicants. The prize, which was previously known as the Orange, is for a full-length novel written in english by a woman of any nationality and published in the United Kingdom.

Of course a plus for having long lists longer than the customary 10 or 12 titles is that  many more authors are able to get their moment in the literary sunshine. This particularly applies to debut authors of which the long list has five including Emma Healey’s Elizabeth is Missing, which won the Costa Prize, and Laline Paull’s dystopian The Bees. It also gives the judges the opportunity to broaden the range of work celebrated beyond what might be viewed as more “conventional” subject and style.

On the downside,  I know I am not alone in liking to read as many of the contenders for

Review: The Children Act by Ian McEwan

mcewan, ianIt’s Ian McEwan’s own fault that you expect so much from his new novel, The Children Act. His books are always enjoyable, some, like The Child in Time and Amsterdam, have gone on to win prestigious awards. Others like Atonement have been adapted into successful movies able to attract stellar casts. He never shies away from the controversial and then goes about dissecting the subject with a brisk deftness.

The Children Act (the title comes from the legislation which governs the treatment of juveniles in the British judiciary system), is a subject ripe for his skilled touch. It centers on Fiona Maye, a successful High Court judge who is hearing an urgent case involving Adam, a 17-year old boy Jehovah’s Witness who, for religious reasons, is refusing medical treatment that could save his life, a decision that is supported by his

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